Work your diary – you might find a book in it

Writing fiction is a gloriously self-indulgent activity. (Well, the first draft anyway). Why? It allows you to gather the moods, places, characters, issues and items that intrigue you most, and write them into a world you can share with others. All the other stuff you can just ignore. (Well, until an editor has had a look at your manuscript). And one of the easiest starting points is a journal or diary.

John Berendt, author of Midnight in the Garden of Good and Evil, offers this practical advice: 'Keep a diary, but don't just list all the things you did during the day. Pick one incident and write it up as a brief vignette. Give it color, include quotes and dialogue, shape it like a story with a beginning, middle and end – as if it were a short story or an episode in a novel. It's great practice. Do this while figuring out what you want to write a book about. The book may even emerge from within this running diary.'

This overlaps a little with the 'morning pages' advocated by Julia Cameron, author of The Artist's Way, as a way for burnt-out writers, artists and other creatives to rediscover their inspiration and sense of purpose. She recommends filling three A4 pages with handwriting – just stream of consciousness: thoughts, worries, weirdness – first thing each morning, to release them from your headspace. The idea is that you once you've written about how you're going to sort out your blocked drain, for example, your mind is free to pursue higher thoughts.

A useful exercise, after 12 weeks of morning pages, is to take a highlighter and go through them to mark recurrent ideas: these trends show you what keeps coming up for you. For me, buying an easel kept surfacing in my morning pages. What was stopping me from buying one and starting to paint again? They're expensive, duh. And if I bought an easel I'd actually have to, er, paint. But I bought one, finally. Then I wrote a novel.

I've also written in a journal every couple of days since the age of ten. Occasionally I dip into one. Doing this a few years ago, I saw some trends emerge and started writing a list of the things I realised I enjoyed writing about: Cape Dutch houses, farms, history, politics, human rights, self-development, books, sensuality, sumptuous meals, opera, wit, offbeat moments in everyday life, chocolate, lists… In fact, I decided to create a whole fictionalised world around those things I love and write about naturally: The Presence of Peacocks or How to Find Love and Write a Novel was the result.

In your diary, you might just find yourself as an author.  

'I (heart) The Love Book'

 A book gets written and published. Sometimes, a reader is moved to write about it.

 

I saw this reader review of my first novel, The Love Book, on Google Books recently, and was so touched. Thank you, whoever wrote it! By the way, The Love Book is a part-prequel to The Presence of Peacocks, the Peacock Book Project novel. 

'The only book to bring me to tears, The Love [Book] has restored my faith that a novel, scripted so beautifully, can change lives. Catriona Ross's novel has certainly changed mine, she has inspired me, beyond belief, through her emotive words and whimsical images.
A single mother who once pirouetted in tightly lace ballet pumps, now raises her three daughters, sultry rebellious Margot, observant and untamed Clare and young willowy Paulina. The story follows the four Carmichael women, each one gifted with their own unique beauty. We accompany them as they travel life's path, making mistakes, creating memorable moments all while lending each other support and the unspoken understanding, hoping to mend their broken home.
Clare is however, the ugly duckling a midst a flight of beautiful swans. She notices the evident beauty in her mother and sisters, but it is in the novel that we are able to see her discover its true meaning. With beauty comes the lovers of beauty: men. And there are many - they flit through the house, some re-appearing, other never to be seen again. Clare sees everything, and we are able to experience as she grows to understand the irrationality and surprises that accompany love. She allows us to view the lives of those around her and the effects they have on a household of four women. The way with which she views the lives of her family is insightful and intelligent and will reel in any reader with the power of tantalizing seduction. Clare's growth within the novel will uncover the memories of one's own childhood and realisation.
It is as though The Love Book were sitting on the library shelf, waiting for my grasp, so that it could lend the power held within its enchanting tale. The seeds were sown the minute I read the first page. Catriona's way with words is magical. She paints pictures in your mind, so vivid it's as though you were experiencing life through Clare's observant eyes. It is a breath-taking novel, enticing, evocative, captivating and so beautiful that turning the last page was both an excitement and a dread, for I couldn't wait to find out what happens, yet I couldn't bear the thought of it ending.
I can't wait to read it again.'

Write the novel of your dreams with The Peacock Book Project: www.peacockproject.net

Getting started: what's stopping you?

You know you want to write a book. You have a notebook full of scribblings and 4am insomnia ideas that could just work. You even possess that fabled hour every weekday to write, and the knowledge that if you actually used your daily hour, you'd have written an entire book by the end of this year. And a book might get you a pulisher, and a movie deal, and, and, and.

So what's stopping you?

Truth number 1: Writing is scary.
Yes, uh-huh. You actually have to put words down, and some of them might be crap. A lot of them. Maybe even all of them. The author's ego is delicate. Thoughts of being a writer who writes crappy words causes intense pain. My advice is that it's better to write something than nothing. 'Something' you can at least work with - say, edit it, polish it, give it a nip and tuck or even a whole makeover; 'nothing', however, will remain nothing.  

Truth number 2: Writing is hard work.
I've just finished reading a novel by one of my favourite authors – On Green Dolphin Street by Sebastian Faulks – and a wry passage on the process of writing fiction rang true.

' … From what he could gather from novelists' own diaries and letters, the urge that was common to them all was a need to improve on the thin texture of life as they saw it; by ordering themes and events into an artistically pleasing whole, they hoped to give to existence a pattern, a richness and a value that in actuality it lacked. If after reading such a novel you looked again at life – its unplotted emergencies, narrative non sequiturs and pitiful lack of significance – in the light of literature, it might seem to glow with a little of that borrowed lustre; it might seem after all to be charged with some transcendent value.
These poor writers depicted themselves engaged in this heavy task: from people they knew or met, they gathered characteristics for their imaginary humans; from conversations, they pulled out thoughts that could be developed into themes; houses they had visited were relocated and refurnished; other writers were absorbed, assimilated for what they could unwittingly donate; from some less recognizable source the power of pure invention was mobilized, while over it all the artistic intelligence shaped an entity that would thrillingly exceed the sum even of these rich parts.
To Charlie it looked like very hard work. …’
  

Writing is the best sort of work, if you ask me. A week ago I started writing my new interactive novel, The Last Book in the World (um, hopefully not), and every time I sit down to write – in that precious hour before I fetch my daughter from daycare – I feel anew the rush of creating a whole world, of having the freedom to write what what I like. But it’s still work. I always have to force myself a little to sit and write (after all, it’s not compulsory, not like freelance journalism deadline) but I find it’s always worth the effort because of the way it makes me feel: mischievous, empowered, mysterious, interesting, interested, alive.

The trick to getting started? Start anywhere – at the end, at the beginning, somewhere in the middle, or with a key scene that keeps squatting in your mental space. Go, go, go! Sorry to have to remind you, but one day you’ll be dead and you won’t be able to write. Nope, not at all. So sit at your PC every day. Make it a habit. And start writing anywhere.

Write the novel of your dreams with The Peacock Book Project: www.peacockproject.net